One September Monday

Holly Johnson: mmmmm
Paul Morley: What was the danger about Paul, Holly?
HJ: The danger about Paul?
PM: I mean what made you realise that maybe here was someone you could work with?
HJ: I didn’t until sometime this year in fact
PM: Really?
HJ: It didn’t seem possible up to that point because we both shot off in different directions. I was heavily into the Big In Japan thing and he was like visiting London and giving it loads in that direction. So we had a, a big break from each other, and then he did this Hambi tour giving it much in the dance ooops
Paul Rutherford: (laughs)
HJ: ergh, and he gave it loads right
PM: yеah
HJ: and we were just starting, wе got a few support dates with Hambi, through knowing Hambi
PM: That’s Frankie
HJ: That’s Frankie Goes To Hollywood, in fact. Which was you know (laughs) woooah (laughs)
PR: (laughs)
HJ: Oh yeah. Which was Mark, Ped and Ged and Sonya
PR: Sonya
HJ: Sonya Mazunda
PM: Why did you choose the name?
HJ: Ohh, not, it’s not a too much of an exciting story, ahm (laugh). There was th-this old, this old, this band I was in, I was just jamming with in the reheasal room in the basement
PM: Jamming?
HJ: Yeah you know kind of learning, learning period. Erm we needed a name quick cos we had to get a gig you know and all that stuff and there was a a picture, a piece of the New Yorker magazine stuck to the wall in the reheasal room that said ‘Frankie goes Hollywood’, and a picture of Frank Sinatra, getting ahh, mobbed (laughs) by, what were they called, what were they called (pause)
PR: I really don’t know
HJ: oh you know Teenie Boppers or something like that (laughs)
HJ: Frankie Goes To Hollywood
HJ: We used to give it loads of ‘Hey it’s a movie’ (laughs) and this is your audition. Well that was good at the time
PM: Good at the time but it’s complete nonsense really, wasn’t it?
HJ: Sorry?
PM: Complete nonsense really?
PR: Total bluff yeah
HJ: Yeah it was, but it was entertaining nonsense, we thought. And that’s whatcha got it give it
PM: Entertaining nonsense
HJ: Well yeah. Yeah. Dada! (laughs) You’re into Dada! Zang Tuum Tumb and all that. Oh when are we gonna have these parties then? (laughs) We’ve been promised parties
PR: Where’s these parties you’ve promised us?
PM: I promised you four parties
HJ: You’ve promised us parties
PR: Four? Ahh love
HJ: I’m ahh
(cut off)

PM: Why do you sing Holly?
HJ: Sing?
PM: Yeah
HJ: Why do? I could give it loads of ‘it’s something that comes from within’ but you know…
PM: So why do you sing?
HJ: …it’s just not that? It’s just something I’ve always wanted to do
PM: Yeah?
HJ: One of the things I’ve always wanted to do
PM: Since when?
HJ: Since I was about four and I used to sing to the pigeons (laughs)
PM: Who do you sing to now?
HJ: Eh?
PM: Who do you sing to now?
HJ: I think it’s dead important to sing to yourself really. You know what I mean?
PM: Yeah
HJ: And you gotta enjoy it firstly. And it’s a buzz if other people enjoy it
PM: It’s a what?
HJ: A buzz
PM: Yeah?
HJ: Do you ever think about who’s gonna enjoy it? (pause)
HJ: Think about the people
PR: Yes they crossed my mind once. (laughs)
PM: I mean do you care about who’s going to enjoy it?
PR: Yeah
PM: Yeah
HJ: Do we really, do we really care?
PM: I mean do you. Do you think about like competition, who you’re up against, anything like that?
PR: Totally
HJ: Occasionally, occasionally, occasionally
PM: Like, you know, Culture Club or ABC or anything like that?
PR: No, no not like, erm, no not them
HJ: I don’t see them as competition because it’s a completely different thing what we’re doing
PM: What are you doing then?
HJ: oooh, well you’ll just have to flip it over and see
PR: (laughs)

LATER ON…
HJ: Oh, I don’t wanna get into anything dodgy like that. (laughs)
PM: What were you doing in Big In Japan?
HJ: I was playing bass
PM: You weren’t singing?
HJ: I was doing, I was singing in, in my own way
PM: What, what kinda way was that?
HJ: er, stifled (laughs) Stifled in a very stifled way
PM: So what’s the difference between being stifled and being what you are are now?
HJ: Set free
PM: Set free?
HJ: (laughs) mmm. Free your mind…
HJ & Paul Rutherford: …and your ass will follow…
HJ: …the kingdom of heaven is within
PM: When did’ya meet Paul?
HJ: Paul. We met in a nightclub. We were about 15
PR: We were nightclubbing
PM: A lot of grease involved there or a there was just a casual kinda meeting? I mean a lot of liquid kind of…
PR: Pardon
HJ: Ah . We had a mutual friend
PR: Mutual
PM: Lubrication
HJ: We had a mutual friend. Jayne Casey in fact
PM: Jayne
HJ: mmm
PR: Well we met a lot earlier then that, but, we didn’t, we weren’t knocking around together then
HJ: True. I think we knew of each others existense
PR: Existense
HJ: It was dead strange in fact
PM: How did you know of each others existence?
PR: Sensitive vibes
HJ: Aha
PM: oh yeah
HJ: When you’re in, when you’re in a town like Liverpool (laughs) you know what I mean and you go into town
PM: I don’t know what you mean Holly? Tell me what you mean
PR: It means you put one foot in and one foot out…
HJ: yeah
PR: …and you see everybody on your way
HJ: …and shake it all about (laughs)
HJ: I tell ya, I tell ya

Curiosidades sobre la música One September Monday del Frankie Goes to Hollywood

¿Cuándo fue lanzada la canción “One September Monday” por Frankie Goes to Hollywood?
La canción One September Monday fue lanzada en 1984, en el álbum “Welcome to the Pleasuredome”.

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